The once promising YRF Spy Universe, which delivered Bollywood's first Rs 500 crore grosser with Pathaan, is now grappling with an uncertain future as recent releases like Alpha and War 2 fail to ignite the box office.
'...Or will we take a positive approach and learn from those mistakes so that it is not repeated in future?'
Boong wins a BAFTA, and India can't stay calm!
Aditya Dhar's Dhurandhar The Revenge has shattered box office records by becoming the fastest film to enter the prestigious Rs 500 crore club in just five days, setting an unprecedented benchmark in Indian cinema.
''With Aamir, I have maintained a friendship, and I'm so grateful for that. He's been so kind and generous throughout these years, whether it's in Los Angeles, London or here.'
First ever-Indian film with sound Alam Ara celebrates 80 years today.
Sanjay Leela Bhansali has taken time off from his wartime love story Love & War, starring Alia Bhatt, Ranbir Kapoor and Vicky Kaushal, to undertake a unique and unprecedented task.
Karan Johar discusses the success of 'alpha-driven' films like Animal and Dhurandhar, noting a shift in audience preference for 'front footed machismo' and 'alpha energy'. He also touches upon the appeal of emotional identification, particularly among male viewers, and expresses conflict over the cultural signals these films send.
'You will have the President's rule for 7 to 8 months, And Annamalai will be the hero in those 7 months.'
Priyanka Chopra is currently shooting for SS Rajamouli's highly anticipated Telugu film Varanasi in Hyderabad, balancing her demanding schedule with a refreshing poolside Sunday.
'A film that puts a Malayali collector, a Malayali general, and a Malayali gangster all in the same national plot does not feel pan-Indian. It feels like a school play where only one family showed up,' notes Binu Alex after watching the Mohanlal-Mammootty starrer Patriot.
'Established filmmakers want to go with the sequels of earlier hit films like Housefull 5 or Mastiii 4. They don't want to come up with fresh ideas. This is pure laziness.'
Manasi Parekh is making waves at Cannes 2026, passionately promoting Gujarati cinema on the global stage while reflecting on her incredible journey.
France's prestigious Cannes International Film Festival 2026 is set to see a strong presence from India, with a mix of regional cinema, filmmakers, and actors expected to attend the global event from May 12 to May 23.
A long-lost cinematic gem, The Last Tenant, starring the late Irrfan Khan and Vidya Balan, has been released on YouTube 25 years after it was filmed.
Malayalam cinema legends Mammootty and Mohanlal are set to reunite on screen in Mahesh Narayanan's espionage thriller 'Patriot' after 18 years, with Mammootty in the lead and Mohanlal in an extended cameo.
'Devsaab mostly played the anti-hero in his films. Grey shades appealed to him... Devsaab's films never had a message. They were not preachy...' Sidharth Bhatia discusses the Magic of Dev Anand.
Nora Fatehi has successfully transitioned to the global stage, with her FIFA World Cup 2026 anthem Siir Siir becoming a viral hit, especially following Morocco's impressive draw against Brazil.
As David Dhawan hints at potential retirement after Hai Jawani Toh Ishq Hona Hai, we revisit his iconic Bollywood comedies that defined an era of entertainment.
From Mohanlal's commanding act in Company to Dulquer Salmaan's chilling turn in Chup, these Malayalam stars proved they could shine far beyond Mollywood.
Aditya Dhar's Dhurandhar The Revenge has made cinematic history by becoming the first Indian film to achieve a staggering Rs 1,000 crore (Rs 10 billion) in nett collections, exclusively from its Hindi version within India.
Raju Hirani's films can sometimes feel a little too goofy, but under Avinash Arun's direction, it will be interesting to see how that material lands, notes Mayur Sanap.
Imtiaz Ali's new film Main Vaapas Aaunga is set to delve into the enduring trauma of the 1947 Partition, continuing Bollywood's complex cinematic journey of depicting one of history's most violent and impactful events.
As Riteish Deshmukh turns director again with Raja Shivaji, we look at past actors who stepped behind the camera and delivered some of Hindi cinema's most memorable films.
'I didn't want to do a highlight reel with greatest hits of Yash Raj Films.' 'I wanted to do an actual story.'
Anjali Sivaraman, daughter of playback singer Chitra Iyer, is set to portray the iconic Hungarian-Indian painter Amrita Sher-Gil in Mira Nair's upcoming biopic Amri, following her breakout role in Netflix's Class and a diverse career in modelling and acting.
'Here's to India x France. And to many more stories waiting to be told.'
Rajdeep Choudhury's documentary Chalo India with Ericji (Varanasi) offers an unique exploration of India.
Exactly a year after Pushpa 2 released in theatres, Dhurandhar has made history at the box office.
'He is the reason for bringing me into the film industry.' 'He is the reason for making me a very secure actor.'
'I've asked them so many times that after going through gruelling shoot sessions for 30-40 years, what keeps your passion alive? I think it's the discipline to show up.'
From psychological mind-benders to folklore nightmares and zombie comedies, these 10 Hindi horror films prove Bollywood has produced far more than just things that go bump in the night.
'Her presence lit up the room as she reflected on a remarkable career that has shaped generations of Indian cinema.'
Payal Kapadia, celebrated for her Grand Prix win at Cannes, has been appointed jury president for the 65th Cannes Critics Week.
These modern Hindi films proved that the love triangle still has enough heartbreak, passion and chaos left to captivate audiences.
Dridam starts well as this intriguing small-town investigative thriller worthy of the Jeethu Joseph school of suspense, only to trip over clumsy red herrings and over-explanations, observes Sreeju Sudhakaran.
Building a party from scratch and leading it to electoral success is an entirely different challenge.
'Both Dhurandhar films in the spy universe have carved out legendary benchmarks for Indian cinema, and they'll be studied for generations across the globe.'
Death may be a tragic affair, but cinema has often found humour lurking even within the morbid.
'There is a relationship between the audience and the film, and money should not come in between them.'
